Rewind 2024: Noteworthy South Indian Films Beyond Pushpa 2, Maharaja, Bhairathi Ranagal, and Manjummel Boys
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The past year has been remarkable for South Indian cinema, as the Telugu, Tamil, Kannada, and Malayalam film industries have produced successful titles including Pushpa 2: The Rule, Kalki 2898 AD, The GOAT, Amaran, Bhairathi Ranagal, UI, Premalu, and Manjummel Boys. However, beyond the impressive box office figures, South Indian cinema has also delivered several critically acclaimed films that have highlighted the finest aspects of filmmaking.
Telugu cinema
Certainly, while films such as HanuMan, Saripodhaa Sanivaaram, Tillu Square, and Mathu Vadalara 2 captured significant attention, several poignant films also emerged from Tollywood this year. The indie production Double Engine, directed by Rohit-Sasi, revolves around friends searching for a double-headed snake and, despite its limited release, received favourable reviews. Dushyanth Katikaneni’s Ambajipeta Marriage Band explores the narrative of twins caught in the complexities of caste politics. Additionally, Vidyadhar Kagita’s Gaami addresses sensitive themes related to gender and mental health.
Tamil cinema
In addition to Maharaja, Meiyazhagan, and Viduthalai Part 2, the Kollywood film industry has also unveiled titles such as Lubber Pandhu, Vaazhai, and Demonte Colony 2. Tamizharasan Pachamuthu's Lubber Pandhu delves into the intensification of a gully cricket rivalry fueled by a romantic entanglement. Mari Selvaraj's Vaazhai examines the theme of lost childhood through the perspective of a 12-year-old. R Ajay Gnanamuthu's Demonte Colony 2 demonstrates that horror-comedy sequels can succeed when executed effectively.
Kannada cinema
Kannada cinema, once one of the most underrated film industries, has recently begun to gain recognition beyond well-known titles such as Max and Bagheera. Bengaluru Srinidhi’s film Blink delves into the life of a man whose unique ability to control his blinking turns into a burden. Sandeep Sunkad’s Shakhahaari presents a murder mystery unfolding within a restaurant, entangling the lives of innocent individuals. Additionally, Jaishankar Aryar’s critically acclaimed Shivamma Yarehanchinala, supported by Rishab Shetty, highlights the repercussions a financially struggling woman who invests in a multi-level marketing scheme faces.
Malayalam cinema
Malayalam cinema has again demonstrated its excellence this year, delivering a remarkable array of compelling narratives. However, it is essential to highlight Payal Kapadia’s Grand Prix-winning film, All We Imagine As Light, which poignantly examines the experiences of Malayali migrants in Mumbai. Additionally, Anand Ekarshi’s Aattam received the National Film Award for Best Feature Film, delving into the harrowing tale of an assault within a theatre troupe. Furthermore, Rahul Sadasivan’s Bramayugam unfolds like a dark fairytale in monochrome, captivating viewers with its striking visuals.
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