Prithviraj Sukumaran and Mohanlal are preparing for the theatrical release of L2 Empuraan on March 27, 2025. This eagerly awaited Malayalam film marks the second chapter in a three-part series directed by Prithviraj, following the successful Mohanlal-led film, Lucifer, which served as the inaugural installment. In anticipation of L2 Empuraan's debut, the production team is reintroducing the 2019 film Lucifer to cinemas. Here are several compelling reasons to revisit the Mohanlal-starring film in theaters on March 20, 2025, and relive the cinematic experience.

Lucifer re-release: Why watch Mohanlal-starrer in theatres

First part of Lucifer trilogy

Prithviraj Sukumaran made his directorial debut with the film Lucifer, which premiered in theatres in 2019. The sequel, titled Empuraan, is set to be released in March 2025, marking a six-year interval since the first installment. As Empuraan continues the narrative from where Lucifer concluded, it is essential to refresh your memory regarding the events of the 2019 film. The story of Lucifer commences with the assassination of a prominent political figure, PK Ramdas, leading to a fierce struggle for power among his party associates, family members, and other political figures. In the midst of this turmoil, a character named Stephen Nedumpally, portrayed by Mohanlal emerges. Initially presented as a political thriller, the Malayalam film evolves into a more intricate narrative as additional characters and unexpected plot developments are introduced.

Origin story of Stephen Nedumpally, Zayed Masood

As the narrative of Lucifer unfolds and Stephen encounters resistance from multiple sources, a new ally, Zayed Masood (portrayed by Prithviraj Sukumaran), emerges, willing to go to great lengths for him. The conclusion of Lucifer reveals Stephen Nedumpally's true identity as Khureshi Ab’raam, a formidable individual pursued even by Interpol. The upcoming film, Empuraan, aims to explore the intricacies of Stephen, also known as Khureshi Ab’raam, and the complex realm he governs. Additionally, the sequel will provide insights into Zayed Masood’s background. Thus, Lucifer serves as the foundational narrative for both Stephen Nedumpally and Zayed Masood.

Tovino Thomas, Indrajith Sukumaran take the plot forward

Lucifer endeavours to depict the political dynamics within Kerala. As the narrative of Lucifer reaches its conclusion, Tovino Thomas' character, Jathin Ramdas, ascends to the position of Chief Minister, thereby resolving the power struggle that instigated the turmoil throughout the film. His role is pivotal to the storyline and he is expected to reprise his character in Empuraan. Another significant character from Lucifer is Govardhan, portrayed by Indrajith Sukumaran, who is determined to uncover the truth regarding Stephen, also known as Khureshi, and refers to him as 'Lucifer' in the initial installment.

Manju Warrier also shines in her role as Priyadarshini, Jathin's sister, who endures numerous challenges and hardships. In addition to these central figures, several other characters from Lucifer, played by Saikumar, Baiju Santhosh, Fazil, Sachin Khedekar, and Nyla Usha, will also return in Empuraan. Viewing Lucifer is essential for comprehending their contributions to this narrative of brotherhood and betrayal.

Mohanlal’s mass scenes, punch dialogues

Mohanlal excels in his role as Stephen Nedumpally in Lucifer, fully immersing himself in the character. Dressed in a traditional white mundu, he embraces a larger-than-life persona that truly deserves to be experienced in a theater setting.

Prithviraj, an avowed admirer of Lalettan, has crafted numerous scenes that pay homage to the Complete Actor of Malayalam cinema. Lucifer is filled with moments that elicit cheers from the audience, particularly when Stephen asserts his strength, such as the intense scene where he confronts a policeman threatening a child. The audience erupted in applause as Stephen pinned the officer against the wall, a moment that continues to circulate on social media. Another memorable instance occurs when he rebukes Sai Kumar’s Mahesh Varma with the line ‘thante thantha alla ente thantha.’ An English translation would fail to capture the impact of this powerful dialogue, which is just one of many memorable lines from the film, penned by Murali Gopy.

Prithviraj’s slick direction

Prithviraj Sukumaran and writer Murali Gopi skillfully maintained the audience's engagement by incorporating unexpected plot twists at nearly every turn. The director possesses a distinct vision for the film, ensuring that the outcome aligns perfectly with his intentions. The 2019 production is not only well-crafted but also stands out due to its exceptional technical production values. The impressive cinematography by Sujith Vaassudev and the remarkable background score by Deepak Dev further enhance the overall viewing experience.

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