"From Death to Delight: Hwang Dong-hyuk Discusses the Emotional Toll of Squid Game"

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The demise of characters in Squid Game, the globally acclaimed series on Netflix, has elicited reactions of shock, discomfort, and sorrow from its audience. However, one individual experiences a contrasting sentiment. Hwang Dong-hyuk, the creator, writer, and director of the show, finds joy in witnessing their departures.

In a recent interview with the Associated Press, the filmmaker discussed the upcoming season of the international phenomenon, revealing insights into what season 3 may entail, as well as his aspirations for the future.

The creator of Squid Game expresses satisfaction when characters meet their demise

Squid Game features an extensive ensemble cast, and Hwang has expressed that managing everyone on set proved to be quite challenging. As characters met their demise, he recalls telling the actors on their final day, “‘Oh no! How sad! I won’t see you tomorrow,' while internally, he maintained a cheerful demeanour.”

The second season of Squid Game debuted on Netflix this Thursday, once again featuring Lee Jung-jae. The narrative revolves around a clandestine competition in South Korea that preys on individuals burdened by debt, with the victor receiving a substantial cash reward. However, the participants are unaware that losing the game can have fatal consequences.

Reflecting on his experiences throughout the production of Squid Game, the director remarked, “I learned the importance of perseverance. If you are passionate about something and aspire to create, it may not succeed immediately, but the right moment may eventually arrive. Alternatively, that concept could inspire another project.”

The second season introduces additional characters and, as a result, more intricate backstories. Discussing the challenges and necessities of this expansion, Hwang stated, “During the creation of the first season, I believed it was quite difficult for individuals in their 20s or 30s to find themselves deeply in debt. I assumed that only those who were middle-aged would seek financial assistance and participate in the Squid Game. However, the landscape has shifted. Today, there are fewer stable job opportunities for young people, and many feel that hard work does not guarantee entry into the middle class. Consequently, they are inclined to pursue quick financial gains, such as investing in cryptocurrency. In Korea, a significant number of young adults in their early 20s or 30s are turning to online gambling. I aimed to depict the current realities of society.”

Hwang reflects on his experiences following the success of Squid Game

Season two of Squid Game has received a nomination for a Golden Globe. However, Hwang asserts that the upcoming season is an improvement.

The filmmaker is now looking to transition into feature films. Regarding his next project following the series, the Korean director expresses some hesitation in discussing it, stating, “It is a feature film set 10 to 20 years in the future. It will be darker than Squid Game. Expect it to be quite harsh, rather melancholic, yet also infused with a quirky sense of humour.”

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