
Superboys of Malegaon Review: Nasir’s Dreamland of Cinema – Where Hope Reigns and Judgment Rests!
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Superboys Of Malegaon: Story: In the center of Malegaon, Nasir Shaikh (Adarsh Gourav) is perceived by the villagers as a boy lacking any redeeming qualities. However, a serendipitous encounter reveals to him that VCRs can be utilized for editing tapes, igniting his passion for filmmaking. He gathers his friends and embarks on a journey to create films, even as the allure of Mumbai seems distant. His aspirations are not something he is willing to exchange for anything of lesser value. Thus, he embarks on a quest to narrate stories to an audience that yearns for artistic expression, free from societal hierarchies. Yet, life takes an unexpected turn when Shafique (Shashank Arora) encounters a significant obstacle, prompting the group to come together once more to produce a final film that illuminates the world and silences their harshest critics.
Superboys Of Malegaon Review:
When was the last occasion you experienced the concluding scene of a film and exited the theater filled with optimism? The ability to create films that reflect the filmmaking process is a rare talent possessed by only a select few directors globally. There exists a unique quality in portraying one’s reality on the cinematic canvas—the good, the bad, the ugly; the flaws, challenges, and hypocrisy, among other elements. This is achieved while maintaining an impartial perspective and fidelity to the narrative, all the while infusing it with a sense of wonder, for cinema is, ultimately, a form of magic, and it is this enchantment that sustains each viewer. Amidst the cacophony of formulaic films, Superboys Of Malegaon emerges as a refreshing departure, revitalizing the essence of storytelling that has long been absent.
“Kya cheez banayi hai, aisa lagta hai rooh jannat jaa rahi hai,” remarks Shafique (Shashank Arora) as he gazes at an aeroplane soaring above, dreaming of one day boarding such a vessel. A young mill worker with aspirations of becoming a Bachchan—after all, who wouldn’t want to utter, “Rishte mein toh hum…,”? He draws inspiration from Nasir, a young man captivated by the art of moving images. Accompanying them are a few other spirited individuals. Together, they encounter filmmaker Reema Kagti, writer Varun Grover, and producer Zoya Akhtar, who intricately weave their narrative into a film that emphasizes the hope these men have fostered for future generations, rather than merely showcasing the artistic heights they have achieved.
What constitutes high art? What defines low art? What is the essence of art itself? Is there a universally accepted definition? "Superboys Of Malegaon," the second film in two years to explore these themes following "Amar Singh Chamkila," is set in 1997, where a group of young men grapples with the challenges of earning a living and establishing their lives. Yet, their passion for the performing arts enriches their existence—at least within the imaginative realms they create in their minds. Writers Varun Grover and Reema Kagti have crafted this poignant film, inspired by true events, infused with both heart and contemporary relevance. Although the narrative is over twenty years old, the struggle remains timeless. In a pivotal scene, Farogh (Vineet Kumar Singh) exclaims, “A writer is paramount,” marking a moment of personal connection—not only for the individuals depicted but also for those who have endured similar challenges before finally stepping onto the set to create this film.
"Superboys Of Malegaon" possesses a vibrant spirit and a conscience that articulates its message clearly. It tells the story of boys who have discovered their artistic voice through parody. Just as Ramesh Sippy passionately promoted Basanti in 1975, nothing can deter Nasir and his crew from marketing their parody, Basmati, with equal fervor. Both forms of art have their audiences, and they deserve recognition. This straightforward yet powerful assertion is delivered with a delightful sense of humor. Grover's writing is exceptional throughout, as "Superboys Of Malegaon" seamlessly evolves from a biopic to a movement, a commentary, and a tribute to cinema. It emerges from a pen that has penned countless love letters to the art of film—whether it asserts that Buster Keaton was not a mental patient but rather unique, and that no one has the right to confine his artistry, or when Shafique’s diagnosis alludes to an Anand reference.
Nasir is depicted as an enthusiast of "Art House" cinema, expressing his frustration over his community's lack of appreciation for Charlie Chaplin. However, when financial incentives are associated with mainstream action dramas, it is understandable that he would consider engaging with that genre. The film offers a poignant reflection on contemporary society, coincidentally premiering in the same month as Badass Ravi Kumar. The charm of Superboys Of Malegaon resides in its ability to convey these themes while maintaining emotional depth, with significant praise due to the exceptional cast brimming with remarkable talent.

Shashank Arora's portrayal in the Tiger Baby universe is nothing short of remarkable, as he vividly brings Shafique to life with an emotional depth that resonates profoundly. While others may express their frustrations, he remains the quiet observer, yearning for a moment when Nasir might acknowledge him—until he ultimately finds the courage to soar. Arora's performance leaves a lasting impression that will linger in my memory for an extended period.
Adarsh Gourav delivers one of the year's most exceptional performances as Nasir Shaikh. He delves into the character with remarkable nuance, allowing Nasir to evolve organically over time, endearing him to the audience without overt effort. Additionally, Vineet Kumar Singh serves as the voice of the filmmakers and writers, providing insight into the realities beyond Malegaon, which is profoundly moving. Singh embodies Farogh with commendable authenticity.
The writers deserve commendation for crafting the female characters with such care. They are not merely supporting roles for the male characters; instead, they possess their own distinct voices and narratives. The fact that this remains a refreshing aspect of cinema in 2025 speaks volumes about the current trajectory of mainstream filmmaking. Manjari Pupala, Muskan Jafferi, Anuj Singh Duhan, and Saqib Ayub all deliver outstanding performances.

Reema Kagti’s directorial approach marks a significant departure from her previous works. The visual style of Superboys Of Malegaon is ethereal, creating a realm that may not be found on conventional maps, yet feels merely hours away from Bombay, the city where aspirations are crafted. With Varun Grover’s lyrical writing, Kagti discovers her creative potential, infusing the narrative with the optimism and enchantment that cinema embodies. Complementing this is the remarkable cinematography by Swapnil S. Sonawane and Parnil Vishwasrao, which captures illumination in every shot. The deliberate use of harsh lighting, meticulously arranged in nearly every scene, enhances the overall effect, as the experimental nature of the visuals is both palpable and vital for establishing the film's universe.
To Sachin-Jigar, your return is greatly appreciated, and this work exemplifies the high standards we anticipate from you. The background score significantly enhances Superboys Of Malegaon, particularly during the poignant moment when Nasir experiences heartbreak.
Superboys Of Malegaon: Final Verdict:
Beauty can be found in every aspect of Reema Kagti, Varun Grover, and their team's homage to cinema, as they present a biographical drama that transcends the conventional boundaries of a biopic. Experience this film on the largest screen available. Allow your passion for cinema—specifically the films that resonate with you—to envelop you, and remain captivated by the enchantment of the cinematic experience, regardless of the circumstances.
Superboys Of Malegaon is set for theatrical release by Amazon MGM Studios, Tiger Baby, and Excel Entertainment on February 28, 2025.
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