Seeds, the recent documentary that debuted at the Sundance Film Festival, chronicles the experiences of Black generational farmers in the American South, presented through a striking black-and-white perspective. The film opens with a poignant scene at a funeral site, establishing an immediate connection that indicates the filmmaker's intention to narrate this story from a profoundly personal viewpoint.

The premise

Shyne promptly clarifies that this narrative unfolds not from an outsider's viewpoint, where the audience must first familiarize themselves with the individuals involved, understand their backgrounds, and subsequently explore their challenges. Instead, the world-building is introspective, delving into the experiences of a community grappling with an immediate crisis through the perspective of someone intimately connected to that environment.

As we encounter the various individuals at the funeral, Shyne, who also serves as the cinematographer, captures the journey back home from the rear of the vehicle. During this time, Clara Williams engages in conversation with her granddaughter, explaining the destination of the body in the hearse. This interaction allows us to become participants in the dialogue, rendering us silent witnesses to the dynamics of this family.

What works

This profound act of observation serves as an essential tool for comprehending the challenges currently faced by this community. Clara acts as the connective thread guiding the audience through a lineage of farmers who gradually disclose their concerns regarding the future, the persistent discrimination they encounter, and much more.

At the heart of this poignant documentation is the eldest family member, 89-year-old Carlie Williams. A particularly moving scene depicts the octogenarian's visit to an optometrist, where the discussion about the cost of treatment prompts him to inquire if there are alternative solutions for his vision problem. The exorbitant price of glasses is beyond his means, compelling him to reconsider spending such a significant amount despite a lifetime of farming.

The stunning monochromatic cinematography captures this community through a series of distilled moments, showcasing their shared joys and sorrows while asserting their rights. Shye’s camera observes without resorting to emotional manipulation, presenting a lifestyle that resonates deeply with the collective responsibilities of its members. However, this sentiment appears to be rooted in the older generation.

The theme of legacy is delicately woven into the narrative, highlighting how the younger generation from these families has chosen to distance themselves from farming. This nuance is juxtaposed with more direct inquiries regarding governmental responses to agricultural issues. “The president claimed he supported us. I voted for him. Yet, nothing has changed,” one individual remarks about Biden. This raises questions about the potential trajectory of activism under the current administration.

Seeds demonstrates a remarkable confidence in its approach to its subjects, rewarding viewers with insights into their lives. The film invites the audience to exercise patience, encouraging them to grow alongside the community members. Brittany Shyne has crafted a delicate, reflective film that resonates with the present moment, marking it as one of the year's finest works.

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