Saturday Night Cinema Review: An Unamusing and Draining Retrospective of a Turbulent Night
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Saturday Night story: On the evening of October 11, 1975, the cast and crew of a new comedy program must unite their efforts to secure approval from network executives for a live broadcast, or risk being recorded and potentially fading into obscurity. However, with mishaps involving stage props, inebriated writers, and rising tensions among the cast, among other disarray, achieving this goal proves to be quite challenging. With only 90 minutes remaining and time rapidly slipping away, will they be able to rally together and successfully launch the show?
Saturday Night Review: Jason Reitman’s Saturday Night presents a somewhat dramatized account of the tumultuous night of the inaugural live Saturday Night broadcast, which later became known as Saturday Night Live.
Movie | Saturday Night |
Language | English |
Cast | Gabriel LaBelle, Willem Dafoe, Finn Wolfhard |
Director | Jason Reitman |
Where to watch on OTT | BMS Stream |
Authored by Reitman and Gill Kenan, the film centres on a critical 90-minute countdown at 30 Rockefeller Plaza, which will determine whether a group of relatively unknown comedians will achieve national recognition or if viewers will be subjected to a re-broadcast of the Johnny Carson show.
The stakes are high for all participants in the production, yet the turmoil evident in the final moments suggests an impending catastrophe. Lorne Michaels (Gabriel LaBelle), the show's creator and producer, stands at the heart of the narrative—he is the sole individual capable of perceiving beyond the disorder and possesses a distinct vision for the potential of his creation.
However, for the audience, whether or not they are fans of SNL, the backstage turmoil lacks engagement and significance. Was there truly a need for a cinematic adaptation of this origin story? Despite the groundbreaking nature of that night nearly half a century ago, Reitman struggles to convey its essence on screen. While numerous events transpire, very few resonate, rendering the 109-minute duration a rather monotonous endeavour, even with the relentless pace of unfolding events.
It is particularly disappointing that a film centred around a comedy show fails to deliver any genuine humour. This may be attributed to my lack of familiarity with SNL, which has never resonated with me. To fully appreciate the cast's impressions of iconic figures, one would need a solid understanding of past SNL performers to determine whether these portrayals are executed effectively. I must confess that I am unable to make that judgment.
For those who recognize the names featured in the film—such as Dan Aykroyd, Chevy Chase, and John Belushi—there is a strong possibility that you will have a greater appreciation for the show's historical significance and the performances of actors like Willem Dafoe and J.K. Simmons, among others.
In conclusion, Reitman’s Saturday Night may resonate with viewers primarily through a sense of nostalgia. If that connection is absent and you are merely curious about its cultural impact, the viewing experience may prove to be lacking.
Saturday Night is currently available for streaming on BookMyShow.
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