Mere Husband Ki Biwi story:

Following a challenging divorce, Ankur (Arjun Kapoor), a realtor based in Delhi, discovers a new romantic interest in Antara (Rakul Preet Singh). However, the unexpected return of his amnesiac ex-wife (Bhumi Pednekar), who is captivated by the joyful memories of their past, complicates Ankur's life. He finds himself caught in a delightful yet humorous conflict between his former love and his current relationship. As he navigates wedding plans and the resurgence of old memories, Ankur is faced with the pressing task of determining his future.

Mere Husband Ki Biwi review:

Films have portrayed post-traumatic stress disorder (PTSD) in various manners. When not trivialized, audiences come to understand that living with such a mental health condition is challenging, as it hinders personal progress. However, there are instances where the scenarios presented become so far-fetched that if someone claims to experience PTSD after viewing a film, it may be met with skepticism. One might question the connection between Mere Husband Ki Biwi and PTSD. Let us explore this further.

The film opens with Ankur Chaddha (Arjun Kapoor) awakening from a dream in which his wife Prableen Dhillon (Bhumi Pednekar) calls out "Baby" before attempting to strangle him. This recurring nightmare serves as a persistent reminder of the darkest period of his life, marked by his tumultuous marriage. Throughout the film, we catch glimpses of their troubled relationship, but the reasons for their eventual separation are revealed gradually.

During this time, Ankur reconnects with Antara Khanna (Rakul Preet Singh), a college acquaintance with whom he had an instant crush. Years later, they unexpectedly meet again in Rishikesh while she is paragliding. Their initial encounter is charming; Ankur rekindles his feelings for her, leading to a humorous moment when he becomes ill after their paragliding adventure, prompting Antara to laugh heartily.

You aim to illustrate the transformation of romantic love over the years, contrasting a time characterized by playful gestures such as hair flipping and carefree adventures with a more complicated present. The current dynamics of relationships appear to have declined significantly. In this context, honesty remains paramount, and Ankur is forthright with Antara regarding his previous marriage and divorce from Prableen. Upon hearing his account, my initial thought was that Antara has every justification to distance herself from him. This situation serves as a clear warning; her instinct should be to safeguard her own well-being. Yet, we find ourselves confronted with a rather weak rationale for her reluctance to engage further—Ankur claims to have exhausted his emotional capacity due to his past with Prableen, leaving him with little to offer Antara. If this is her method of self-preservation, it is commendable; otherwise, the writers' intentions regarding her character remain unclear.

Ankur does not come across as particularly astute; rather, his apparent naivety seems to mask a tendency to act foolishly as a means of avoidance, often leading to exaggerated reactions.

Before long, they resolve to advance their relationship, only to receive distressing news that Ankur's ex-wife Prableen has been involved in an accident, resulting in the loss of her memories from the past five years. Consequently, she believes that Ankur is prepared to propose, and they are on the verge of marriage. However, upon discovering that they have already been married and divorced, Prableen decides to rekindle her pursuit of Ankur in an effort to restore their relationship, despite Ankur's commitment to marry Antara.

This scenario gives rise to an unwelcome romantic triangle, reminiscent of the 1980s, when female characters were embroiled in a contest of "Woh mera hai." I have never comprehended the fixation on two women vying for a man, while simultaneously disregarding his emotions. What is the purpose of such competition in matters of the heart? It is now 2025! Decisions should revolve around choices like what to eat, rather than who should be one's life partner.

This conflict could have unfolded in Delhi; however, the creators opted for an "international-level" setting, featuring a vintage castle in Scotland. The absence of fresh developments was testing my patience, leading me to ponder, "How can this possibly be amusing?!"

Moreover, Harsh Gujral, making his debut as Rehaan Qureshi, the best friend who dispenses the worst advice, adds to the narrative. There is indeed a scene that centers on this theme. It is undeniable that he delivers the best lines, showcasing his comedic timing. However, the typecasting of the "Delhi ka launda" archetype with both him and Ankur becomes apparent, as the film fails to rise above the clichés typical of such genres.

When Shakti Kapoor, portraying Ankur's father, makes his entrance, his signature "aau" echoes in the background. If all else fails, let us resort to familiar tropes and see if they elicit laughter from the audience, correct?

In recent years, love triangles have devolved into a tiresome motif where two individuals compete for the affection of a single man or woman, often without consent. Even if the situation is intended to be lighthearted, the creators should embrace this tone without introducing melodrama that raises questions about the characters' decisions.

If this were a genuine relationship and the love triangle were to exist, we might have been able to accept it. However, an ex-wife striving to reclaim her husband solely due to a case of memory loss raises significant concerns about where we should draw the line.

There is a scene in which Prableen and Antara engage in a discussion about the game of winning over Ankur, during which they establish the rules of engagement. Bhumi's character asserts that she knows precisely how to manipulate the situation to reclaim his affection. Frankly, I find myself at a loss for words when confronted with such dialogues.

In another moment, Ankur reveals to Antara that Prableen has lost her sanity and has stooped to her level. During his confrontation with his ex-wife, he refrains from placing blame for their divorce, stating that they simply were not compatible. Each scene is separated by a mere five minutes. If this narrative was intended as a form of redemption, it certainly lacks boundaries.

To be candid, although the lead actors deliver performances that are reasonably competent, they do little to enhance the overall film, as the screenplay feels forced and is merely a nascent idea.

Mere Husband Ki Biwi verdict:

Mere Husband Ki Biwi attempts to blend nostalgia, romance, and comedy but ultimately fails to deliver. What could have evolved into an intriguing love triangle devolves into a relentless struggle where logic is sidelined, and clichés dominate the narrative.

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