Jaat movie review
Cast: Sunny Deol, Randeep Hooda, Viineet Kumar Singh, Saiyammi Kher
Director: Gopichand Malineni
Star rating: ★★★

It is somewhat troubling that, in 2025, there remains a notable lack of Hindi film stars capable of effectively performing action sequences on screen. Sunny Deol, at the age of 67, continues to fulfill this role effortlessly, defying both age and expectations, and reminding audiences of the reasons behind his popularity with films like Gadar and Ghayal.

Furthermore, Jaat serves as a reminder that mere stardom can only propel a film to a certain extent. The narrative itself is crucial, and the manner in which the star is portrayed is even more significant. This is where Salman Khan’s Sikandar faltered, while Jaat succeeded.

What is the story of Jaat?

The narrative is quite recognizable: Tunga Rana (Randeep Hooda) has long instilled fear in local villages, with the support of his brother Somulu (Viineet Kumar Singh). His wife Bharathi (Regina Cassandra) and mother also play a role in perpetuating his reign of terror. The arrival of Sunny Deol (whose character remains unnamed until the latter part of the film) signals an impending confrontation, yet the path leading to it is largely an enjoyable experience.

Director Gopichand Malineni makes his Hindi directorial debut following a successful career in Telugu cinema. The influence of the Madras Cut is evident, but as Sunny’s character remarks, “The echo of this two-and-a-half-kilo hand has been heard in the North; now the South will hear it.” Gopichand, who is also credited with the story, deserves recognition for crafting an engaging first half. It has been some time since a masala action film has been this well-structured and genuinely humorous. The screenplay is effectively paced, drawing the audience in and prompting speculation about future developments. The storytelling appears deliberate, resulting in a polished final product.

Nevertheless, the latter part of the story fails to maintain its strength. The plot struggles as it attempts to manage an excessive number of storylines, resulting in a loss of the sharpness that characterized the earlier sections. Although the incorporation of real-life references, social messages, and themes of women's empowerment is commendable, it ultimately overwhelms the screenplay. Additionally, the recurring instances of beheadings, even when censored, begin to feel overly abundant.

A stylish treat for Sunny Deol Fans

Fans are sure to embrace it—after all, it features Sunny. The character effectively showcases his strengths, and the action sequences are so convincing that the image of ten men being sent flying by a single punch almost seems believable.

Randeep Hooda delivers a strong performance as the antagonist. He exudes menace and restraint, and it is unfortunate that the concept of a “real-life Jaat” was not explored further. Nevertheless, he maximizes his role. Viineet Kumar Singh appears to relish his portrayal of a deranged sidekick, and he has had a remarkable year, transitioning from Chhaava to Superboys of Malegaon to Jaat with impressive adaptability.

Regina Cassandra’s role as Bharathi is substantial, and she makes an impact right from the start. In contrast, Saiyami Kher, who plays a police officer, is underutilized and only fulfills the basic needs of the script. Similarly, Jagapathi Babu’s character fails to leave a significant impression.

Thaman S’s background score serves as the heartbeat of Jaat, enhancing pivotal moments—from every slow-motion entrance of Sunny to the overall atmosphere of tension and high stakes.

In summary, Jaat reaffirms the unparalleled experience of watching films on the big screen. Some movies simply resonate more in a dark theater with surround sound. It also demonstrates that strong entertainment value can effectively mask narrative flaws. This film offers a worthwhile outing at the cinema.

Read Also: Good Bad Ugly review: Adhik Ravichandran’s fan service is crash course on Ajith’s career, but never rises above being a showreel

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