"Drinker Sai" Review: A Routine Dharma Starrer That Struggles to Impress

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Drinker Sai Story

Sai, a man consumed by alcohol, squanders the wealth inherited from his deceased parents while remaining in a perpetual state of inebriation. His life takes a turn when he encounters Bhagi, portrayed by Aishwarya Sharma, and becomes infatuated with her. Sai's relentless pursuit eventually captures her attention, yet Bhagi's tolerance of him is rooted in a fear of his potential for violence. The narrative raises questions: Can Bhagi successfully distance herself from Sai? Will Sai reform his behaviour for her sake? The unfolding complexities of their relationship constitute the essence of Drinker Sai.

Drinker Sai Review:

Drinker Sai is helmed by Kiran Tirumalsetti, who narrates the tale of a man struggling with alcoholism, who imposes himself on the woman he loves, leaving her feeling helpless to resist. This premise serves as the foundation of the film. While the setting is commendable, the storytelling proves effective only in certain segments. The romantic relationship between the protagonists is depicted with a degree of realism; however, the frequent moments of heartbreak detract from the overall impact of the film. The interval sequence is particularly strong, establishing a compelling tone for the remainder of the narrative.

The central concept is intriguing, with the character of Drinker Sai being particularly noteworthy, as he consistently captures the audience's attention. Although it may take some time to acclimate to Dharma's portrayal and appearance, once acclimated, viewers become deeply engaged with his character.

A significant shortcoming of the film lies in its insufficient emotional resonance. Despite the opportunity to amplify the protagonist's suffering, director Kiran does not fully realize this potential. Furthermore, Sai's character development appears lacking, and his behaviours and perspectives seem outdated, making it challenging for contemporary audiences to connect with him.


The latter portion of the film falters as it strays from its initial focus and clarity. The absence of gravitas, coupled with a lacklustre supporting cast, detracts from the overall viewing experience. The film's resolution is foreseeable, adhering to the conventional path of romantic dramas.

Drinker Sai predominantly hinges on the protagonist's character, with director Kiran placing significant emphasis on this aspect while overlooking other essential emotional dimensions, leading to a rather uninspiring experience.

Regarding performances, Dharma excels in the role of Drinker Sai. The young actor is afforded considerable opportunity to showcase his talent and fulfil his role commendably. Nevertheless, the character's limited development restricts Dharma's potential. Aishwarya Sharma offers a compelling performance, skillfully masking her emotions until her eventual outburst, which resonates as genuine.

The comedic elements presented through the characters of Kirraak Seetha and Reethu Chowdary do not succeed in eliciting laughter. Although Bhadram’s parody of Manthena Satyanarayana is effective in a few scenes, its extended duration ultimately fails to engage the audience.

Sri Vasant’s musical compositions are pleasing, and while the integration of songs could have been more effectively executed, they remain enjoyable overall. The background score effectively enhances the emotional moments. Prashanth Ankireddy’s cinematography is competent, yielding satisfactory results despite the limited budget. However, the excessive brightness undermines the visual quality; a more careful approach to Digital Intermediate (DI) would have significantly enhanced the overall presentation.

Drinker Sai Verdict:

On the whole, Drinker Sai offers a few standout moments, but the overall narrative feels uninspired and lacks novelty. There is nothing much exciting about this film and can be ignored this weekend.

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