Dhoom Dhaam story:

In pursuit of the elusive Charlie, a reserved individual (Pratik Gandhi) and an adventurous free spirit (Yami Gautam Dhar) find themselves on a night filled with unexpected escapades as they evade dangerous adversaries on their wedding night. Throughout their journey, they encounter both love and conflict.

Dhoom Dhaam review:

What constitutes a modern Indian woman? Approximately twenty years ago, Saif Ali Khan's character in Hum Tum suggested that modern women were defined by their preference for coffee. Subsequently, Konkona Sensharma's character in Laaga Chunari Mein Daag portrayed modern Indian women as ambitious entrepreneurs and career-oriented individuals, among other traits.

In earlier times, women who consumed alcohol or smoked were often stigmatized as having questionable morals. However, the contemporary understanding of a modern Indian woman has evolved to encompass traits that were once associated with a "bad character." Today, a rebellious woman with a progressive mindset is characterized by her tendency to deceive her parents, engage in nightlife, drive recklessly, confront men, consume wine in large quantities, and carry cigarettes.

Cinema has significantly influenced societal perceptions of women from a commercial standpoint. For instance, in one film, a character strives to confront patriarchal norms but ultimately succumbs to familial constraints, leading her to leave her surroundings. Conversely, in Dhoom Dhaam, Yami Gautam Dhar's character Koyal marries the timid Veer (Pratik Gandhi) only to reveal on their wedding day her true nature as a defiant woman who sneaks out at night and enjoys a wild bachelorette party, all while misleading her parents about attending a Mata Ki Chowki.

These two women represent contrasting personalities yet share a common ideology: in a harsh world dominated by men, the key to survival lies in striving to be one's authentic self without facing judgment or seeking acceptance. However, is a monologue always necessary to convey this message? Wasn't America Ferrera's passionate speech in Barbie sufficient for audiences to grasp the frustrations faced by contemporary women worldwide?

This serves as my preliminary commentary before delving into the review of Dhoom Dhaam. The film, notably shorter in duration, depicts a rapid succession of events surrounding the wedding of two opposites, Koyal and Veer, who do not have the opportunity to converse until they find themselves alone in a room after the ceremony. Their moment is interrupted by a phone call from Koyal's sister, who seeks assistance from her veterinarian husband regarding her pet dog.

Nevertheless, this minor disruption pales in comparison to the chaos that ensues when two men burst into their hotel room inquiring about "Charlie." Once the true identity of Charlie is revealed just minutes into the film, viewers may find themselves facepalming before continuing with the story.

In all honesty, the film's premise is quite captivating, drawing me in sufficiently to watch it in its entirety. However, the relentless chase scenes may evoke a sentiment akin to what Kareena Kapoor Khan expresses in Jab We Met: "Enough already, Babaji, now make this night boring."

Koyal and Veer navigate the entirety of Mumbai within a single night, journeying from the suburbs of South Mumbai to the Powai area, ultimately reaching Vithalwadi in the Thane district. It is evident that Mumbai is riddled with potholes and construction sites, to the point where I briefly feared the onset of rain. Fortunately, I managed to evade that additional concern!

Rishab Seth directed Dhoom Dhaam, with the screenplay and dialogues crafted by Aarsh Vohra and Aditya Dhar. Together, they present a narrative filled with chaos, as the newlywed couple finds themselves on the run, pursued by both good and bad police officers over the mysterious "Charlie," all while remaining oblivious to the underlying motives.

The pursuit seldom allows the couple or the audience a moment to pause, as it disrupts continuity in numerous scenes. There are instances where the pursuers appear unexpectedly, and it remains unclear how they ascertain the whereabouts of Veer and Koyal. Is it possible they have placed a tracker on them? Such an action could have been plausible in some form.

Throughout the narrative, Veer uncovers Koyal's "true" identity, which he begins to scrutinize until she confronts him with her own grievances. How can one pass judgment when they have never spent time alone with their spouse prior to the marriage? The film seems to prioritize the theme of patriarchy rather than presenting it in a more nuanced manner.

While the film calls for a more profound exploration of the dynamics between the unfamiliar married couple, the overemphasis on alcohol consumption, striptease performances, and the ex-boyfriend feels forced, primarily serving to illuminate a woman's background and provoke sporadic reactions from the detached male character. If there is a virtuous man in the story, it would have been beneficial to explore his background as well, rather than portraying Gandhi as the societal figure who is taken aback by the mere existence of a defiant woman.

Yami Gautam embodies the modern woman, showcasing her adventurous side but within certain confines. The actress evokes echoes of the beloved character Geet, which has unfortunately become a standard for female roles. It is time to move beyond this archetype. The enjoyment she ostensibly experiences revolves around the question, "Why should boys have all the fun?" rather than presenting a sense of individuality.

Conversely, Pratik Gandhi's consistent reactions are sure to elicit laughter, which is anticipated from an actor of his caliber. However, have we not witnessed similar performances in 2024 with Madgaon Express and Do Aur Do Pyaar? In this instance, he portrays the weakest character arc, ultimately rendering his role unremarkable, and despite his commendable performance, it fails to elevate the film.

The supporting characters, such as Mukul Chadha and Eijaz Khan, are largely inconsequential, much like the lead characters who seem to evade them. These characters repeatedly appear on screen delivering the same lines, reminiscent of a malfunctioning tape recorder.

Dhoom Dhaam possesses considerable potential and features moments that are indeed amusing. I must admit that I did find some scenes humorous. However, ultimately, it devolved into mere "LOL" moments, which have diminished in significance in the realm of digital communication.

Dhoom Dhaam verdict:

Dhoom Dhaam begins with great promise but ultimately loses momentum before reaching its conclusion, resulting in more smoke than brilliance. The film tends to meander aimlessly, both in its plot and execution.

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