A pair fleeing for their lives, pursued by others—this scenario epitomizes a prevalent narrative in Hindi cinema. To distinguish your film from the rest, it is essential to infuse it with entertainment value. Whether as a pure thriller, a comedy, or a blend of both, the key is to present a fresh perspective. Regrettably, Dhoom Dhaam fails to achieve this objective.

What is Dhoom Dhaam about

Koyal (Yami Gautam Dhar) and Veer (Pratik Gandhi) are brought together through an arranged marriage. On the night of their wedding, just as the atmosphere becomes intimate, two men arrive at their door, searching for someone named ‘Charlie,’ whom they believe is with Veer. The couple manages to delay the men and escapes. Who is Charlie? What causes the timid Veer, who harbours a fear of heights and various other anxieties, to be suspected of concealing secrets? The unfolding narrative holds the key to these questions.

Directed by Rishab Seth, Dhoom Dhaam opens with promise. Yami’s evolution from a shy bride to a bold car racer who can unleash a torrent of expletives adds an entertaining element. However, this transformation loses its charm over time. A particularly jarring moment occurs when she delivers a monologue about the struggles women face in a patriarchal society while being pursued. Although the monologue is well-crafted as a standalone piece, it feels out of place within the context of the screenplay. It raises the question of why someone would engage in such discourse when their life is at stake and time is of the essence. While the adrenaline rush is acknowledged, it is important to avoid actions that seem contrived.

The same critique applies to Pratik’s character. His portrayal of a man grappling with phobias is intended to be humorous, and it succeeds initially. However, the filmmakers prolong this aspect until the climax, leading to a diminishing interest in his character's plight.

What the film lacks

The screenplay maintains a satisfactory pace, with confusion serving as a central theme throughout the narrative. However, it lacks a certain level of entertainment. The effort to introduce plot twists involving Koyal and Veer—who are ironically not as sweet and brave as their names suggest—falls short, as the audience can easily predict the major revelation well in advance.

Eijaz Khan delivers an engaging performance as he navigates his own confusion. Prateik Babbar's cameo, while present, fails to leave a significant impression. Mukul Chadda effectively fulfils his role as a police officer.

On a positive note, the film's runtime of 1 hour and 48 minutes ensures a timely conclusion. However, some additional editing could have enhanced the suspense. Although there are numerous red herrings, they are unlikely to deceive viewers familiar with global thrillers, particularly those available on OTT platforms. It may be beneficial to revisit the works of Agatha Christie for inspiration.

Dhoom Dhaam is currently available for streaming on Netflix.

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