In Georgi M. Unkovski's engaging and assured debut feature, DJ Ahmet, the coming-of-age drama presents a fresh perspective and a sense of purpose. Premiering at the Sundance Film Festival, this charming yet modest film possesses all the qualities necessary to capture the hearts of audiences as it gains wider exposure. The narrative follows a teenage boy who discovers a profound connection to music, enabling him to escape the monotony of his life as a shepherd. Unkovski encourages viewers to accompany this young protagonist on his journey, emphasizing the significance of his story.

The premise

In the opening moments of DJ Ahmet, the 15-year-old protagonist, Arif Jakup, is removed from school by his father, Aksel Mehmet, who believes his son should prioritize tending to the sheep over pursuing further education. At home, Ahmet takes on the responsibility of caring for his younger brother, Naim, portrayed by Agush Agushev, who remains silent following the death of their mother. Their father is unable to provide either time or affection for his sons. The only respite Ahmet finds is in the music he listens to.

Unkovski's film establishes itself with a strong sense of focus and style. When Ahmet discovers that one of his sheep is missing, he desperately searches through the forest of the isolated Yuruk village in North Macedonia throughout the night. The consequences of failing to locate the sheep would result in severe repercussions from his father. This moment of anguish leads to a fortuitous meeting with the beautiful Aya, played by Dora Akan Zlatanova, who is being pressured by her family to marry. However, she possesses a means to defy their expectations. This fleeting encounter will have a profound impact on both of their lives.

What works

DJ Ahmet invests considerable time in developing the narratives of these characters, yet there exists a delightful lightness in his approach that enriches the story. Naum Doksevski's cinematography beautifully captures the stark contrast between the breathtaking landscape and the challenges faced by the characters. Unkovski does not seek to evoke sympathy for these individuals. The film candidly portrays the generational conflicts present in rural Macedonia, avoiding the pitfall of depicting the older generation as mere caricatures devoid of redeeming qualities. The youth possess aspirations, yet they exhibit caution and clarity regarding their desires. Aya's character development, in particular, is handled with sophistication and depth, steering clear of predictable tropes.

DJ Ahmet establishes a connection with the audience, inviting them to journey alongside these young individuals until the conclusion. Both Jakup and Zlatanova deliver commendable performances, and their charming chemistry brightens the visual narrative. Despite the exceptional musical score by Alen and Nenad Sinkauz, the film remains grounded in its realities. This is a modest film with a profound emotional resonance, one that lingers in the memory like a vivid dream.

Santanu Das is covering the Sundance Film Festival 2025 as part of the accredited press.

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