Black Mirror Season 7: A Strong Comeback That Stops Just Shy of Greatness

Black Mirror Season 7: A Strong Comeback That Stops Just Shy of Greatness

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Black Mirror season 7 review
Cast: Rashida Jones, Chris O'Dowd, Siena Kelly, Issa Rae, Akwafina, Emma Corrin, Peter Capaldi, Lewis Gribben, Paul Giamatti, Patsy Ferran, Cristin Milioti, Jesse Plemons
Creator: Charlie Brooker
Rating: ★★★.5

The television and streaming history of Black Mirror can be distinctly categorized into two phases. The first phase represents its peak, during which the series was broadcast on Channel 4 in the UK, celebrated for its innovative storytelling and some notably dark narratives. The second phase marks a decline, coinciding with its transition to Netflix. Although production quality improved and the scope expanded, the series lost its original spark and essence. Season 7 offers a reprieve from this trend, at times hinting at a return to the edginess and audacity of its Channel 4 era. However, the influence of the Netflix period resurfaces, ultimately leading to yet another lackluster installment.

About Black Mirror S7

Black Mirror Season 7 stands out as one of the most significant in its history, featuring six distinct narratives—four original tales, one spinoff, and one direct sequel. This season presents a diverse array of storytelling, ultimately delivering more successes than failures. Highlights include the impactful "Common People," which has prompted some viewers to cancel their Netflix subscriptions, the eerie "Plaything," showcasing an outstanding performance by Peter Capaldi, and "Eulogy," which is sure to leave audiences emotionally drained. Black Mirror returns to its foundational themes, focusing on human nature while technology serves as a backdrop.

Emma Corrin's performance in Hotel Reverie is the only saving grace of an otherwise dull episode.

What distinguishes Season 7 of Black Mirror from the two preceding seasons, which were met with disappointment, is its bold use of metaphors and parallels presented in a more satirical manner. The series does not strive for cleverness or condescension in its narrative approach. Once again, Black Mirror respects its audience's intelligence, delivering complex stories without excessive guidance.

Additionally, the final episode, titled USS Callister: Into Infinity, stands out as a significant achievement. Serving as a sequel to the Season 4 episode USS Callister, it not only advances the storyline but also resolves several unresolved plot points while functioning effectively as a standalone episode. Numerous Easter eggs are scattered throughout other episodes, with Plaything containing multiple references to Bandersnatch, the interactive film from Black Mirror released in 2018, alongside the recurring 'Juniper/Junipero' mention found in nearly every episode.

Peter Capaldi brings his A-game in Plaything, one of the season's most 'Black Mirror' episodes.

In terms of performances, Peter Capaldi distinguishes himself with his intense portrayal of a video game-obsessed addict on a mission. Emma Corrin also captivates the audience with her exceptional representation of a 1940s actress embodying a character in a film, evoking the essence of Black Mirror. Cristin Miloti maintains her impressive streak, delivering a noteworthy performance in USS Callister: Into Infinity. Despite a brief screen time, Jesse Plemons once again leaves a lasting impression. Nevertheless, the two most outstanding performances this season, in my opinion, come from Rashida Jones and Chris O'Dowd. Their acting elevates the first episode, Common People, making it even more poignant than it would otherwise be.

The shortcomings

However, there are shortcomings as well. In "Bête Noire," Black Mirror introduces a compelling concept but ultimately undermines it with what can be considered the most unsatisfactory conclusion in the series' history. Indeed, the resolution is even less satisfying than that of "Joan Is Awful." Likewise, "Hotel Reverie," which blends elements of classic Hollywood charm with a San Junipero-like sense of escapism, fails to resonate, as none of the characters—except for the one portrayed by Emma Corrin—forge meaningful connections. These two episodes, which are presented consecutively, risk tarnishing an otherwise strong season.

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