Am Ah Review: Dileesh Pothan’s Suspense Drama Keeps You Hooked Despite Narrative Flaws

Am Ah Review: Dileesh Pothan’s Suspense Drama Keeps You Hooked Despite Narrative Flaws

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Stephen (played by Dileesh Pothan) shows up in a secluded village nestled in the hills to oversee a road construction project. This charming village is where Ammini Amma (Devadarshini) lives with her granddaughter, Kunji. As Stephen dives into his work, he starts to connect with the locals and displays a curious interest in Ammini Amma and her granddaughter, who has a speech impairment.

Am Ah evaluation

In a secluded village with limited amenities and a small population, the local tea shop serves as the sole gathering spot for residents, where an old man tinkers with a radio. This scene might remind you of a classic Sathyan Anthikad film from the late '80s or '90s. However, the 2025 film Ahm Ah, directed by Thomas Sebastian of Goodalochana fame, is set in the present day and highlights the lives of those who adapt to their circumstances while the rest of the world rushes toward the future.

The first half of Am Ah introduces a captivating storyline. As Stephen navigates the challenging trails in the woods, he senses that the locals are concealing something. Some of the tales and the timeline of events also seem inconsistent.

Tension escalates as we interact with the villagers, with Gopi Sundar’s music heightening the suspense, and the twist at the interval is skillfully done. However, the second half struggles with execution and performance, particularly when we delve into Ammini Amma’s backstory. Even though she is a key character that the film focuses on for a significant part of the second half, Ammini Amma lacks the depth needed for her role. The plot, crafted by Kaviprasad Gopinath, remains relevant and keeps the audience engaged, but it ultimately takes a predictable path to reach its conclusion. What starts as a suspenseful narrative transforms into a drama about women yearning for the joy of motherhood.

The film doesn't feature many prominent characters, but it does include some seasoned actors like TG Ravi, Alencier Ley Lopez, and Maala Parvathi, who are unfortunately relegated to brief or cameo roles. Meera Vasudevan, known for her role in Mohanlal’s celebrated film Thanmathra, also appears, but her part is quite minor.

On the other hand, Sruthy Jayan, recognized for her performances in Kaanekkaane and Sathyam Paranja Viswasikkuvo, really shines in her limited role, making a strong impression despite the short screen time.

Jaffer Idukki, dressed in his classic white shirt and mundu, delivers a fantastic performance as the clever character, delivering some of the film's best lines. Dileesh Pothan, known for his role in Thalavan, is also well-suited for his part, skillfully enhancing his performance as his character evolves, especially as the film tackles the serious themes of surrogacy and accountability.

In the technical side of things, Anishlal RS's cinematography really shines, particularly in the early scenes where the camera showcases the stunning greenery of the Idukki forests and the winding roads. The song "Kavantha," sung beautifully by Adwaitha Padmakumar and featuring lyrics by Engandiyoor Chandrasekharan, adds a calming touch to the experience.

Am Ah ruling

Dileesh Pothan’s film is mostly captivating, though it does have some jarring edits at the start and a shift in tone in the second half. If the latter part had been better crafted and the performances stronger, it could have really taken the film to the next level, especially considering its unique title that ties in well with the story.

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