Amitabh Bachchan and Hema Malini's sentimental film Baghban has become a notable entry in popular culture, often regarded as a movie that children should avoid watching with their parents for clear reasons. Two decades later, a new film emerges that draws from a similar narrative style, concluding with a direct message urging viewers to "Go… hug your parents" in bold letters. Is this yet another film that might make you hesitant to view it alongside your parents? Continue reading for more insights.

Anil Sharma returns following the nostalgic triumph of Gadar 2 in 2023. However, this time, the emotional moments are more focused on the characters' experiences rather than external elements. Deepak Tyagi, portrayed by Nana Patekar, is grappling with vascular dementia. He is cared for by his three sons and their spouses, yet he endures a solitary existence, haunted by memories of his late wife, Vimla, played by Khushbu Sundar. With intentions directed towards his property, his children devise a scheme to abandon Deepak in Benaras without his medication, subsequently declaring him deceased back in Shimla. The unfolding events form the crux of the narrative.

Crafted by Anil, Amjad Ali, and Sunil Sirvaiya, Vanvaas encounters challenges on two significant fronts: excessive focus on the romantic relationship between Deepak and Vimla, and the overwhelming burden placed on Nana Patekar to sustain the film's momentum.

As expected, the narrative features a father mistreated by his offspring, perpetuating the familiar trope of vulnerable parents and ungrateful children. One can only anticipate the sarcasm and jests that the next generation will face once their parents view Vanessa.

What is ineffective?

To dismiss the notion of elderly parents being abandoned for financial gain as a non-issue would be a rash conclusion. Anil possesses a compelling idea; however, the execution falters significantly in the first half.

As the narrative progresses towards its conclusion in the second half, there are moments that exhibit brilliance, yet these are often undermined by Anil's traditional sensibilities. For instance, the decision to include a sermon and have Veeru Volunteer (Utkarsh Sharma) awkwardly don the attire of Deepak Tyagi as a tribute during the end credits detracts from the overall impact.

Given that he is also a co-producer of the film, Anil's son naturally receives a substantial amount of screen time. However, sharing the frame with Nana proves to be a formidable challenge for him, with Utkarsh managing to shine only occasionally. The romantic subplot between Meena (Simratt Kaur) and Veeru fails to engage, and the inclusion of two songs featuring the couple further alienates the audience.

Nana comes to the rescue.

Nana's expertise is crucial in rescuing this troubled production, and he accomplishes this task effectively. He portrays a despondent character grappling with memory loss with just the right amount of restraint, avoiding excessive dramatization. The film risks descending into melodrama, yet Nana provides a stabilizing presence amidst Anil's more ambitious attempts. Rajpal Yadav delivers a commendable performance as Veeru’s friend, while Ashwini Kalsekar’s character, referred to solely as Mausi, fails to contribute meaningfully to the narrative. This observation pertains not to her acting skills but rather to the demands of the storyline. Rajesh Sharma remains a reliable performer, as always.

From a musical perspective, the film would have benefited from tighter editing, particularly by omitting the song "Geeli Maachis" and the romantic duet between Veeru and Meena entirely.

In summary, while the narrative may leave viewers feeling let down, Nana's performance is undeniably impressive. It is advisable to watch this film with your parents and remember to express your affection for them, thereby honoring Anil Sharma's vision.

Read Also: Unexpected Triumph: Manasi Parekh Reflects on Her National Award Win and the Surge of Gujarati Cinema

HOW DID YOU LIKE THIS ARTICLE? CHOOSE YOUR EMOTICON!