Director Ram Gopal Varma (RGV), renowned for his distinctive approach to filmmaking, is preparing for the upcoming release of Saaree, which is directed by Giri Krishna Kamal. The seasoned filmmaker has crafted the screenplay and is presenting this psychological thriller, which addresses the contemporary threats posed by social media and image-sharing platforms.

Regarding the title Saaree, the director remarks, “When assaults occur against women, it is often suggested that the victim's attire is provocative. However, even a woman dressed conservatively in a saree can fall victim to the same violence. This highlights that the issue lies in the mindset of the perpetrator, rather than the clothing of the woman.”

'I don’t think there is anything scarier than the human mind'

The film fundamentally explores the theme that when love surpasses a certain threshold, it can transform into an obsession, leading to perilous consequences. In reality, it often takes a considerable amount of time for individuals to connect and nurture their relationships. However, through online interactions, one can rapidly establish a bond without fully understanding the other person's background. Imagination plays a crucial role, allowing individuals to easily adopt false identities. These elements are central to the narrative of Saaree, according to RGV.

Interestingly, it was social media that assisted RGV in discovering the female lead for Saaree, who now performs under the name Aradhya Devi and hails from Kottayam. "I was introduced to one of her reels by someone, and that prompted me to share it on Twitter (X), seeking assistance in locating her," he explained.

RGV has been involved in numerous political dramas and gangster films; however, he describes "Saaree" as a departure from his usual style, focusing on the dynamics of relationships in the age of social media. When asked about the film's perspective, particularly in light of its tagline, "When she says no, he takes it as yes," RGV reflects on the longstanding notion that women's words are often misinterpreted. He explains, "A man driven by desire tends to believe that a woman is merely being shy or playing hard to get, or that external influences are at play, rather than accepting her response at face value. Even when she says no, he prefers to interpret it as yes, which can lead to dangerous consequences. The film will explore how obsession can escalate into perilous situations."

'I think only cell phones know the real you'

The director explains that Saaree is inspired by a real event in Andhra Pradesh, where a woman experienced harassment from a stalker and was subsequently scolded by the police. “He murdered her parents, believing they were the ones preventing her from being with him. While Saaree is not directly based on this incident, it reflects similar occurrences. I believe there is nothing more frightening than the human mind.” He further notes that the film does not provide solutions but rather highlights the importance of not judging people solely by appearances and being wary of whom to trust.

Reflecting on past instances of victim-blaming, RGV asserts that women are often unjustly held responsible, which he considers “extremely unfair.” He emphasizes that society has a duty to protect women. However, when questioned about the portrayal of women in his films, particularly in Saaree, RGV makes a provocative remark: “A woman’s beauty can be appreciated on screen, but that does not justify making her a victim.”

In closing, RGV remarks, “Even within a close family, I doubt that everyone knows what is on each other’s phones. We all lead secret lives. I believe only our cell phones truly know us, as they document our history.”

Without naming his actor friend, the director recounts an incident where the actor’s wife requested his phone password. “This individual was unwilling to share it, claiming that his phone might contain confidential information about his friends, which is why he couldn’t disclose it. He expressed that allowing her access to his phone would make him feel guilty for revealing his friends’ secrets. Nowadays, it seems people are more protective of their passwords than their own lives,” the director concludes.

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