Janhvi Kapoor Stands Firm for Pushpa 2 Amid Controversy Over IMAX Screen Allocation
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The recent controversy surrounding Allu Arjun's Pushpa 2: The Rule and Christopher Nolan's Interstellar has ignited a passionate debate about the appreciation of Indian cinema versus Hollywood films. As Pushpa 2 dominates IMAX screens across India, it has led to the postponement of Interstellar's re-release, originally planned to celebrate its 10th anniversary. This situation has prompted mixed reactions from fans and critics alike.
Bollywood actress Janhvi Kapoor has emerged as a vocal supporter of Pushpa 2, responding to the backlash from some Interstellar enthusiasts who expressed disappointment over the film's delayed release in India. In a heartfelt Instagram post, she questioned why there is such an obsession with idolizing Western cinema while disparaging homegrown films. She stated, “Pushpa 2 is also cinema. Why are we so obsessed with idolising the West and running down things that come out of our own country?”.
Janhvi's comments resonate with many who feel that Indian films deserve equal respect and recognition. She highlighted that while audiences globally appreciate the unique storytelling and larger-than-life narratives characteristic of Indian cinema, many Indians themselves seem embarrassed by these very qualities. “The same rooted representation and larger-than-life tone other countries appreciate...
The backdrop of this controversy is significant: Pushpa 2, which was released on December 5, 2024, has already achieved remarkable box office success, earning ₹72 crores on its opening day in the Hindi market alone, surpassing previous records. This success underscores a growing trend where Indian films are not only competing with but also thriving alongside international blockbusters.
As this discussion unfolds, it raises important questions about cultural pride and the need for a balanced appreciation of cinema from both India and abroad. Janhvi Kapoor's stance serves as a reminder to celebrate local talent and narratives while recognizing their place in the broader cinematic landscape.
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