Director Vishnuvardhan is experiencing a multifaceted return with the impending release of his romantic drama film, Nesippaya. This marks his return to directing after a four-year hiatus, a re-entry into Tamil cinema after a decade, and a revival of the romance genre after 16 years since his film Sarvam. While audiences may favour the film featuring Arya and Trisha, Vishnuvardhan himself expresses a preference for the 2006 drama Pattiyal. Thus, one might consider Nesippaya as his return to the romance genre.

Vishnuvardhan elaborates, “While Sarvam leaned more towards a romantic thriller, this film is a genuine love drama focused solely on the relationship between two individuals. Typically, romance is an element within broader narratives, but this film specifically addresses the contemporary dynamics of relationships, which can be both extraordinary and entertaining. My aim is to create something that truly captivates.”

Nesippaya director Vishnuvardhan Interview

Nesippaya serves as the launching platform for Akash Murali, featuring Aditi Shankar in the role of the female lead. Vishnuvardhan also assumes the role of mentor, providing visibility for the debut actor. He emphasizes, “It is essential for everyone to first embrace him; only through their affection for his character can he truly become a hero.”

However, does he also bear the responsibility of discovering the unique talents that a newcomer possesses? “That responsibility exists universally. It is akin to the difference between street cricket and playing in a stadium. The connection between Ajith sir in Billa and Akash in Nesippaya lies in their shared capacity for deep affection and unwavering trust in others.”

Vishnuvardhan asserts that genres such as romance, action, and gangster dramas are transient and subject to the ebb and flow of trends. “Currently, we are witnessing a resurgence of raw and rustic films, and periodically, a film will emerge that transcends conventional boundaries. The film's primary purpose is centred around Akash, yet it was developed with an awareness of the prevailing cinematic landscape and our potential contributions,” the director explains.

“In any era, films have its charm”

In the current age of social media, where attention spans are diminishing, Vishnuvardhan maintains that films retain their inherent allure. He asserts, “If you can engage the audience with a compelling narrative and unfolding events, they will remain captivated. The audience is indeed receptive; our task is simply to convey a story. As a filmmaker, I prefer a brisk pace, with underlying layers, dynamic sequences, and a variety of characters,” he states.

Vishnuvardhan elaborates on his practice of editing scripts prior to filming, which he believes conserves both time and resources while providing clarity. He explains, “Nesippaya features an intense drama. It revolves around a boy and a girl from contrasting backgrounds and ideologies. Their separation marks the beginning of the narrative, leading to the drama of their eventual reunion. This is enhanced by a talented ensemble cast.”

Regarding his characters, Vishnuvardhan characterizes the lead duo as fundamentally different. The hero is portrayed as impulsive, spontaneous, and courageous, while Aditi’s character is designed to be nurturing and grounded. “When audiences view the film, they will not perceive it as Akash’s debut. I felt reassured when viewers provided similar feedback. Aditi was chosen for her authenticity and the believability she brings. For Kalki, I sought a foreign national with Tamil roots; this role is specifically crafted for her. In fact, Kushboo shared her experience of being cast in a film only to have her scenes cut, but I assured her of the number of shooting days and scenes she would have. She listened to the narration, placed her trust in me, and delivered precisely what was requested,” Vishnuvardhan shares.

Vishnuvardhan prefers to narrate scripts to actors rather than allowing them to read independently. “Even on set, I often modify dialogues, while ensuring that the mood, scene, and emotion remain intact. This approach enhances the authenticity and realism of the performance.”

The director, who made his Hindi film debut with Shershaah, asserts that there is no significant distinction between working on Tamil and Hindi film sets. "I create an environment that feels like my own, and everyone adapts to my preferred methods. While the protocols may differ, I choose not to adhere to them. Why would I confine myself to an uncomfortable space?" 

When discussing the clear division between writing and directing in Hindi and Tamil cinema, where the latter often sees one individual fulfilling both roles, Vishnuvardhan states, "Writers and directors are distinct entities. I collaborate with a writer named Neelan, who worked with me on Nesippaya, and I ensure that writers receive appropriate recognition. It is essential to acknowledge that writers contribute unique elements that directors know how to visually interpret. A significant issue arises when individuals with a story are compelled to direct it. I hold both writing and directing in high regard as separate disciplines."

With confidence, Vishnuvardhan concludes by describing Nesippaya as a poignant love story that deserves to be experienced on the big screen.

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