Over the years, the film industry has developed various methods for discovering new talent and actors. Currently, we are in the age of social media, while prior to this, television served as a platform for artists to transition from smaller screens to larger ones. However, there was a period when short films played a significant role in nurturing talent for feature films, and actress Regina Cassandra is a notable example of this phenomenon.

Regina is often recognized for her unconventional role choices since her debut in Kanda Naal Mudhal (2005). Her inclination towards unique roles actually began much earlier, during her time in short films. When discussing some of her notable works, such as the 60-minute feature film Mugizh and her short films Kaanal Neer and Aasai Mugam Marandhu Poche, Regina reflects, “It is understandable that there was a niche audience, and it is truly gratifying when individuals choose to explore different types of films. Mugizh was initially intended to be a short film but ultimately expanded to an hour in length. The other two short films you mentioned are quite old, from a period when I did not view acting as a profession but rather pursued it out of passion. Wow, that really takes me back (laughs)!”

Regina Cassandra Interview for Vidaamuyarchi

Regina Cassandra belongs to a group of artists whose work in short films served as a foundation for her transition to feature film acting. Having trained in Bharatanatyam during her childhood, Regina expresses that her passion for the arts has been evident since her early years. “I recognize that people can share images and gain visibility. The opportunities for women, and indeed for anyone, to showcase their talents have significantly expanded,” she notes.

Regina further elaborates on her experience with short films, emphasizing that her involvement was driven by enjoyment rather than future aspirations. “I participated because I found it fulfilling, and I was fortunate to have the chance to do so. Everything fell into place for me, and when I reflect on my role in Kanda Naal Mudhal at the age of 14, I remember having no reservations. There was never a doubt about my confidence; I simply embraced the experience. This has contributed to my self-assurance in my craft,” she explains. Acknowledging her challenges with networking and being present at the right moments, Regina describes her journey as an organic progression from one project to another, which has allowed her to sustain her career.

As she anticipates the release of Ajith Kumar's Vidaamuyarchi, which has experienced delays, along with other films like Party and Borrder still awaiting release, the actress reflects on how she copes with such situations. “Truthfully, it is beyond my control. There is a sense of disappointment, but ultimately, I am an actor, and that is my primary role. If the responsibilities fell on me, my team and I would certainly assist the producers. However, that is a secondary concern and does not occur frequently. As an actor, my focus is to fulfill my role, but I would certainly offer help if necessary.”

‘Vidaamuyarchi has given me a layered character’

A well-known figure in Tamil, Telugu, and Hindi cinema, Regina believes that Tamil cinema has not yet challenged her as much as Telugu cinema has. Uncertain about the reasons for this disparity, she expresses, “I consider myself a versatile actor, and after 20 years in the industry, I am aware of my capabilities and areas for improvement. With Vidaamuyarchi, Magizh sir informed me that there are scenes where audiences will witness the performer within me. In terms of a complex character, I feel that Vidaamuyarchi has provided me with that opportunity.”

Upon first learning about her role in Vidaamuyarchi, Regina felt a surge of excitement. “I had numerous questions, and just the knowledge of what I would be undertaking, along with the preparation for the character, thrilled me. Magizh sir crafted the character with great depth and invested a lot into the role.”

While she acknowledges that her role can be “mentally stimulating,” Regina emphasizes that she does not allow her characters to linger in her mind for too long. “I don’t let them cling to me, but I do take away valuable lessons from the experience. For instance, portraying Mrinalini Sarabhai in Rocket Boys taught me about her remarkable life, navigating public scrutiny and a tumultuous marriage to a man regarded as a national icon. Similarly, Saakini Daakini was physically demanding, and I draw from such experiences, yet I maintain a level of detachment and strive to practice that in my life,” Regina explains.

Nevertheless, Regina, who previously mentioned her discomfort with watching herself on screen, now states that she has become more at ease with it. “I believe I have grown in this regard, and I find myself more willing to watch my performances than I was in the past.”

Regina concludes the discussion by emphasizing that her significant experience with Vidaamuyarchi is defined by the journey itself. She remarks, "The individuals on set are important, and the manner in which they are treated is crucial. During my time on Vidaamuyarchi, the experience was truly rewarding; everyone made considerable efforts despite challenging weather and various obstacles. Whether it was our crew, the local Azerbaijani team, Magizh sir, Om Prakash sir, or the actors, I believe it was a very encouraging environment for the brief period I was present."

Looking ahead to 2025, Regina notes that she has numerous professional endeavours on the horizon. She reflects on her journey, stating that it has been gradual, consistent, and sustainable, yet also filled with energy and dynamism.

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