Dulquer Salmaan interview on Lucky Baskhar: 'It has several twists and turns that'll surprise the audience'

Dulquer Salmaan interview on Lucky Baskhar: 'It has several twists and turns that'll surprise the audience'

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Lucky Bashkhar is all set to hit the screens on October 31, 2024, and there is massive buzz surrounding the film. Dulquer Salmaan discusses Lucky Bashkhar's story, backdrop, working on a period film, his stardom in Telugu cinema, future projects, and much more. Excerpts:

How did this project materialize?

Naga Vamsi, the owner of Sithara Entertainments, called me and mentioned that he had an exciting story lined up for me and would send the director, Venky Atluri, to narrate it. In my mind, I thought it would be yet another love story and intended to decline it politely. But Venky surprised me with a story set in the banking world, touching on a new genre in Telugu cinema. The moment I heard the script, I immediately agreed to the film.

Were you upset that the film was postponed multiple times?

Yes, I was, and it was mostly because of my scheduling conflicts. My dates clashed, and some issues arose, leading to the postponement. But the film is worth the wait and will surely captivate everyone with its engaging narration. The sets, casting, performances, and storytelling transport you back to an era when money was everything.

Which aspects of the film impressed you the most?

Lucky Baskhar is essentially the story of a man's love affair with money. It’s a period drama that allowed me to explore a completely new side of myself. Baskhar’s character, his financial struggles, and how he transforms when he becomes wealthy are depicted in a very thrilling way. Audiences will see me in a totally new light in this film.

How did you prepare for Lucky Baskhar?

The entire film was shot on a specially constructed set, giving us plenty of time to prepare before the actual shooting began. Venky, Meenakshi, and I had several workshops to nail the characters. Since I play a banker from the late 80s, I had to perfect an old-school body language and laid-back attitude. I just followed Venky’s guidance, and everything came together smoothly.

What was it like working with Venky Atluri?

Venky is a very soft-spoken director with a clear vision. The way he crafted a story set against the backdrop of banking, with stock exchange elements, adds a refreshing touch to the film. Beneath all of this, there’s a deeply emotional story about a husband and wife, portrayed with heartfelt emotions. Venky is very clear with his ideas and isn’t afraid to challenge things that don’t work.

Tell us more about your bonding with Meenakshi Chaudhary?

Meenakshi was the last actor cast for the film. Venky delayed the decision on the female lead and tested several faces before finalizing Meenakshi Chaudhary. Her role in Lucky Baskhar showcases some of her best work, and our scenes together are fantastic. There’s no melodrama; Venky has presented her in a very realistic way.

What are the main highlights of Lucky Baskhar?

The film has several twists and turns that will surprise the audience. The love affair with money, the problems it creates for Baskhar, and how he navigates these wild situations are portrayed in an engaging way. Audiences will feel immersed in Baskhar's character and will stay with him until the end. Lucky Baskhar is a unique, modern film about money with a period setting.

Your growing stardom in Tollywood?

It’s been incredible, touchwood. I’m genuinely surprised by the love and support I’ve received here. Although I’m relatively new, the Telugu audience has embraced me wholeheartedly. Lucky Baskhar will bring me even closer to them, as I portray a middle-class man dealing with issues everyone can relate to.

Future Projects?

I’m working on a Tamil film titled Kantha, which I’m co-producing with Rana Daggubati. It’s a period drama set in the late 50s, centered around films and theater. Additionally, I’ve signed two more Telugu films, which will be announced soon. For now, I’m eager to see how audiences respond to Lucky Baskhar.

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