Payal Kapadia's All We Imagine As Light has emerged as the standout success of the year. It has made history at the Cannes Film Festival by winning the Grand Prix and has garnered a nomination for Best Director at the Golden Globes. The film, set in Mumbai, has provided an exhilarating journey for audiences.

As the film prepares for its digital debut on Disney+ Hotstar starting January 3, stars Kani Kusruti and Chhaya Kadam engaged in an exclusive discussion with Hindustan Times. They shared insights on their collaboration with Payal Kapadia, the film's enthusiastic global reception, and their perspectives on its potential for an Oscar nomination. (Excerpts).

The film "All We Imagine As Light" has been receiving significant acclaim globally, particularly from critics

Chhaya: It is an incredible experience! As performers, there is always a desire to explore new avenues, and that in itself is fulfilling. The overwhelming affection for All We Imagine As Light from audiences worldwide is genuinely remarkable.

Kani: I completely agree! During the filming, we did not focus on these aspects. When such recognition occurs, it brings immense joy to the entire team… everyone shares in that happiness. I believe we also derive great pleasure from hearing viewers' reactions to the film. For me, that brings even greater joy!

What response to the film has lingered in your mind?

Kani: One interviewer stands out to me, someone we encountered in Kerala. Regrettably, I cannot recall her name, but during our conversation, I felt she grasped everything we discussed. As actors, we often overlook many aspects. Each time one watches a film, new insights emerge. This particular interviewer pointed out elements I had not noticed, which left me quite moved. The audience's ability to engage with a creation in such a profound manner, comprehending it fully and even beyond, is truly remarkable. I recall that Payal [Kapadia] found it equally touching.

Additionally, many individuals have connected with the stories of these three women. They see reflections on their own experiences and express how they resonate with Parvaty, Anu, or Prabha at specific moments.

Chhaya: I share the same sentiment. Numerous viewers have returned to discuss the film and its characters, allowing us to perceive the film from a fresh perspective. It is incredibly gratifying to hear these responses. For example, a friend remarked on a scene set in the hospital kitchen, noting how Parvaty's existence seems encapsulated within that small room, and this was vividly portrayed in your movements. It conveys the sense of being trapped in that confined space for so many years.

What matters most to me is that many who have seen this film have expressed a desire for more films of this nature to be produced. As an artist and a member of the Indian film industry, this feedback is profoundly meaningful.

One of the standout scenes in the film is the spontaneous dance shared by the three characters in the latter half, set against the backdrop of Ratnagiri...

Kani: Every scene in the film has undergone thorough rehearsal, including the dance sequence. Each movement was meticulously choreographed, detailing how Divya's character would perform and how Anu would respond. Every action was predetermined, leaving no room for spontaneity throughout the film. The assistant directors also provided guidance to Divya on specific movements, particularly those representative of Gen-Z. All aspects were carefully deliberated.

Chhaya: I recall how the three of us were committed to embodying our characters in the dance. It was essential that Chhaya did not participate in that sequence! We dedicated significant effort to perfecting that aspect.

Payal is not proficient in Malayalam. Kani, you are fluent in Hindi. Could you share your experience of working with Payal on the film despite the language barrier during your initial interactions?

Kani: The communication was conducted in English; however, I believe Payal excelled in her role despite the language barrier. She collaborated extensively on the script with her associate, who also hailed from Kerala and FTII. Robin Joy and Naseem contributed from the outset, engaging in script development, translation, and exploring alternative word choices. The sound's tonality was meticulously refined. We provided our suggestions, which Payal would then review, ultimately deciding which options to incorporate. She would close her eyes to listen intently, demonstrating the significant effort invested in the process. Even without fluency in the language, she maintained a strong command over the proceedings, which was truly remarkable.

The city embodies a unique blend of beauty and contradictions, reflecting its vibrant culture and complex social dynamics.

Chhaya: Mumbai undergoes transformation each year, yet it is undeniable how this city harmonizes with its inhabitants. Regardless of the circumstances, Mumbai possesses an indomitable spirit that remains resilient and victorious. It embodies a vibrant vitality. Even those who relocate to this city from elsewhere often express a sense of safety. A resident of Mumbai will never experience hunger, as the city nourishes them with a unique energy.

Kani, do you recall what Payal mentioned in an interview? I was struck by her observation that even bus rides in Mumbai take on a romantic quality when one is in love! (smiles)

Kani: I have visited intermittently since 2000, primarily for performances at Prithvi Theatre. In comparison to my hometown, I found this city to be remarkably free-spirited. People do not scrutinize women as much as I have encountered in other regions of India. There is a lack of unnecessary focus on women's attire. The sight of all genders travelling together was a delightful revelation for me. I was truly impressed. However, I also remember noticing the poor quality of water here; after washing my hair, I longed to return home. These contrasts stood out to me. Individuals come to Bombay, face challenges, and ultimately carve out their paths and lives. Those who have experienced this journey understand what the city, or any city, can offer. Coming from a privileged background, I acknowledge that I cannot fully represent the experiences of others. While I do not consider myself a city dweller, if there is any city in India where I believe I could thrive, it is Mumbai. I am certain I would struggle in other cities. (laughs)

The recent announcement of the Oscars shortlist for Best International Feature Film has sparked disappointment among many, particularly regarding India's absence. The film All We Imagine As Light was expected by some to be a strong contender.

Kani: I am not even familiar with the concept of a shortlist! (laughs) I tend to struggle with keeping up with such matters and have never really focused on them. Naturally, the entire nation would be thrilled to see one of its films in contention. I do not place much emphasis on these issues; what truly resonates with me is the pride we feel in the film itself and the numerous viewers who are engaging with it.

That aspect holds greater significance for me as an actor. The pursuit of awards is merely an additional journey, one that should unfold in its own time. (smiles)

Chhaya ji appears in every film! She is featured in Sister Midnight, Madgaon Express! She is omnipresent! (laughs)

Chhaya ji must believe that my films should represent me.

Chhaya: Precisely! (smiles) I was just about to mention that! I have never been preoccupied with such thoughts; initially, I simply wished to see my films released in theatres and hoped for a nomination. However, with experience and interactions with various individuals, one's perspective evolves. After some time, it became more about my aspirations as an actor and focusing on the task at hand. Once my work is completed, it is up to the audience to determine its merit.

Even now, our film has garnered significant recognition. First Cannes, and now Barack Obama has viewed our film! I often dream about how Obama appreciated our work! (smiles) That indicates he has seen me and even knows my name! That alone is a remarkable achievement! (smiles) A quality film will always find its audience. Any Indian film that receives such acclaim is a victory for all of us. Even if we were not part of this project, we would still take immense pride in its accomplishments.

All We Imagine As Light premieres on Disney+ Hotstar on January 3.

Read Also: Actor Sonu Sood Celebrates His Roots in Punjab with 'Fateh' Fever

HOW DID YOU LIKE THIS ARTICLE? CHOOSE YOUR EMOTICON!